Tim Feeney and Vic Rawlings work within Boston's "lowercase" improvising community, a group of musicians interested in unstable sounds and silences, exploring austere combinations of sound and the otherworldly ripple effects that pulse through a silent space and alert ears.
Vic Rawlings performs using prepared/ amplified cello, and circuitry. He is active as an improviser and instrument builder. His performances focus on the metamusical potential of unstable sounds and silences. He has developed instruments that are specific to this compositional aesthetic. As an instrument builder he specializes in modifications of existing instruments and has developed extensive cello preparations. He also continually develops an electronic instrument from extant exposed circuitry, producing, in effect, a modular analog synthesizer with a highly unstable interface. This electronic instrument is paired with a flexible array of exposed speaker elements, chosen for their often unpredictable and idiosyncratic acoustic qualities.
He performs as a soloist and as a member of undr quartet, The BSC, and in duo and trio ensembles with Michael Bullock, Greg Kelley, Bhob Rainey, Sean Meehan, Jason Lescalleet, James Coleman, Liz Tonne, Tatsuya Nakatani, and Howard Stelzer, among others. Collaborators have included such diverse musicians as Eddie Prevost (AMM), Donald Miller (Borbetomagus), Daniel Carter (Other Dimensions in Music), Laurence Cook, Jaap Blonk, Masashi Harada, and Stephen Drury.
Tim Feeney seeks to explore and examine the timbral possibilites inherent in everyday found and built objects. He treats his percussion set-up as a friction instrument, using bows, scrapers, and rosined drumheads as implements and sympathetic resonators to capture and amplify frequencies that go unheard when an object is struck with a mallet. He supplements his acoustic console with an electronic instrument activated from a laptop or no-input mixer, which synthesizes and alters the spectral characteristics of sounds from pure sine tones to speaker pops and white noise.
As an improviser, Tim works with such Boston artists as thereminist James Coleman, and the trio ONDA, with whom he has performed at such experimental spaces as the Knitting Factory New York, The Red Room in Baltimore, Boston's Zeitgeist Gallery, the new Firehouse 12 in New Haven, Connecticut, and Chicago's 3030. With saxophonist Jack Wright, Tim appeared on the inaugural Counter Fit Festival in Rochester, New York, and participated in the August 2005 No Net workshop in Philadelphia.
As an interpreter, Tim has appeared at venues including the Brooklyn Academy of Music and the Norfolk Chamber Music Festival, and his work has been featured on WNYC Radio's "New Sounds." A member of Boston's Callithumpian Consort, Tim has performed on the Musica Nova series at the Gewandhaus in Leipzig, Germany, and at New York's club Tonic, as part of its 50th birthday celebration for John Zorn. As a founding member of the percussion quartet So, Tim appeared in concerts and masterclasses at Columbia University, Harvard University, and Williams College, as well as the 2001 Bang on a Can Marathon. He is a co-founder of the duo Non-Zero, with saxophonist Brian Sacawa, which in its inaugural season performed world premieres of seven new works.
Official Website: http://dcic.alkem.org
Added by j_matis on January 16, 2007