The Chariot, Misery Signals, I Hate Sally, Die Rote Kapelle June 26, 2007

The Chariot
Misery Signals + I Hate Sally + Die Rote Kapelle

Bridgeport Entertainment Presents

The Chariot
www.thechariot.com
The Chariot are no longer the new kids on the block. What began, in the minds of most of the hardcore and metal underground, as the highly buzzed about reemergence of original Norma Jean singer Josh Scogin has since become a behemoth of its own distinction. Two years of touring behind the raw, unhinged and powerful bombast off Everything is Alive, Everything is Breathing, Nothing is Dead, Nothing is Bleeding and the follow-up EP, Unsung, have cemented the Southern quartets place in the modern metal landscape. The Chariot continues to defines themselves by steering clear or easy categorization and by doing things their way like when they recorded their debut live in the studio, going against the grain of todays increasingly polished metalcore records. "I have always loved old recordings, like Johnny Cash and Jerry Lee Lewis, because you hear many of the imperfections and that has always felt a little more real to me. So I was pretty persistent on recording in that same vein, even though it was not looked at as a wise decision, if you are in to making music to make money. I don't make music to make money so I did not care."

Misery Signals
I Hate Sally
Die Rote Kapelle



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