Local H, The Dig April 17, 2011

8:00pm - 21+ - $12
Local H
Best-known for their unorthodox two-man lineup, hard rock act Local H has made a career out of straddling the fine line between indie and classic rock, cleverly framing their sardonic lyrics with a generous helping of power chords and feedback.

Scott Lucas (vocals/guitar) and Joe Daniels (drums) began playing together in high school in their native Zion, IL. Finding a suitable bassist proved an insurmountable challenge, so the industrious Lucas eventually devised a way to install bass pick-ups into his six-string. Armed with this intriguing novelty setup, the duo signed with Island Records and made their recording debut on 1995's Ham Fisted, a rather unoriginal disc which had some detractors tagging them as Nirvana wannabes. Its follow-up, 1996's much improved As Good As Dead, was another story, however, considerably expanding the band's sonic palette and firmly establishing their identity as Midwestern ironists supreme. Led by well-crafted power pop radio singles like "Bound for the Floor" and "Eddie Vedder," the album was eventually certified gold and helped earn the duo their alt-rock cred, while simultaneously validating their contradictory ties to classic hard rock. Though less-focused and not quite as immediate, 1998's still solid Pack Up the Cats seemed set to maintain the band's rising momentum. But record company woes (Island's parent company Polygram was in the process of being absorbed by Universal Music) effectively clipped the band at the knees, the album became lost in the shuffle, and Local H went on a near three-year hiatus. In the interim, Daniels left the band under amicable circumstances and was replaced by former Triple Fast Action drummer (and Bun E. Carlos drum tech) Brian St. Clair.

Lucas and St. Clair returned in 2000 with a new album and a new label. Here Comes the Zoo (Palm Pictures) featured more of the Midwestern angst and cutting satire that had always defined Lucas' hard rock, but added the busier drumming style of St.Clair. Incessant touring followed; in 2003, the duo returned once again with the No Fun EP for the Chicago punk imprint Thick. The band's fifth album, Whatever Happened to P.J. Soles' arrived in spring 2004. The band released the eighteen-track live album, Local H Comes Alive in 2005.
Mp3s: http://www.myspace.com/localh

The Dig
Not many bands can claim to have origins in grade school, but in one incarnation or another, some members of The Dig have played music together since they were ten years old.

In Westchester County – just a stone’s throw from New York City, where they now call home – singer/guitarist David Baldwin and singer/bassist Emile Mosseri first met in sixth grade, becoming fast friends and playing in bands. Baldwin and Mosseri met keyboardist/guitarist Erick Eiser at a summer music program in high school, and the three reunited in college in Boston. In 2007, all three relocated to New York City and began writing songs in Baldwin’s basement as The Dig. The relentless, hard-working young band dug their foundation the old-fashioned way: they embraced an indefatigable DIY ethic, playing all over the city regularly and hitting the streets with an endless stream of posters, flyers, and free music. The band released their debut EP Good Luck and Games (produced by Bryce Goggin, who has produced, mixed, or engineered Pavement, Antony & the Johnsons, The Ramones, Bishop Allen) late that year, catching the attention of Popmatters, who wrote in a review, “This is the catchiest, most intriguing power pop band to emerge out of the no-name pile in some time…”
Mp3s: http://www.myspace.com/thedigisup