99 Seventh Avenue South
New York, New York 10014

2006) Pianist John Colianni is featured with guitarist Les Paul and his Quartet*, appearing weekly (Monday nights) at The Iridium Jazz Club in New York City. These steady engagements are interspersed with Tours of the United Kingdom, and other regions. John (or "Chops") is also working with Pop star Steve Miller, scoring arrangements and playing piano on Miller's next cd release.



There are 3 albums by John Colianni on the Concord label, as well as releases on other labels.



Professionally based in New York, John resides in Northern New Jersey, with his son, Torre.



For his own appearances, John is accompanied by his recently formed Quintet. The Quintet recently toured Great Britain. (to find out about upcoming appearances/performances, please go to www.johncolianni.com)



Background and Past Performances



John Colianni grew up in the Washington, D.C. metro area, and first heard Jazz on swing-era LP re-issues (Ellington, Goodman, Jimmie Lunceford, Count Basie, etc.) in his parent's home. A performance by Teddy Wilson in Washington attended by John when he was about 12 years old also left a strong impression, as did a Duke Ellington performance (more later).



Piano Instruction



Showing keyboard aptitude, a suitable teacher for John was sought out by his parents. Local musicians recommended Les Karr, who, in addition to teaching , was well known as an outstanding pianist. Weekly lessons with Les Karr began in the 8th Grade, when John was 14. Les Karr himself studied under Teddy Wilson at Juilliard in NYC. Les was also the first cousin of pianist Dick Hyman.

For John's lessons, Les emphasized technique, and introduced studies of the Mathe' System, a method that advances digital dexterity and maximizes the capacity for speedy, high-velocity piano playing. John Colianni, noted for fleet "chops", cites the important role these exercises play.



Around Washington



Still in High School, Colianni began playing piano professionally on the Washington, D.C. Jazz scene, which, during that period included a number of earthy Jazz clubs like The Pigfoot, Mr. Y's Gold Room, One Step Down, Blues Alley, The Bayou, The Famous Balloom (Baltimore), Frankie Condon's (Rockville), and other establishments.

These were Colianni's first performance venues, and he played among veteran DC musicians like Ella Fitzgerald's bassist Keter Betts (who recruited 16 year-old John for the revue "Jazz Stars Of The Future"). Jazz Studies Director George Ross invited JC, still in 10th Grade, to play regularly with the University of Maryland Jazz Ensemble.



There was an event that took place years earlier, which perhaps helped set the stage for John's interest and involvement in the music world: Duke Ellington, the most celebrated musician to ever come from Washington DC, passed through town with his Orchestra on a tour during his latter period.



Colianni, very young at the time, was mesmerized and electrified by the concert, and afterwards presented Duke a copy of the Ellington autobiography "Music Is My Mistress", which Duke signed with a personalized message.



Touring with Lionel Hampton



The Colianni family re-located to the Jersey Shore during JC's senior year in High School; it was here, in the early 1980s, that John came to the attention of Carlton Drinkard, former accompanist to the one and only "Lady Day" - Billie Holiday. Drinkard toured and recorded with Ms. Holiday for various periods between 1949 and 1958. Carlton coached John in the art of performing with a Trio, playing before live audiences. Veteran drummer Yusef Ali (Etta James, Lloyd Price) was a member of the Trio that Drinkard assembled for John.



Roughly a year and a half after re-locating to Jersey, Colianni visited Lionel Hampton backstage at an Atlantic City New Year's Casino job; this led to a spot in Mr. Hampton's Orchestra, with which JC traveled and recorded on and off for 3 years. Other band members during John's stay included tenor sax great Arnett Cobb; saxist Paul Jeffrey; saxist Tom Chapin; drummers Frankie Dunlop, Oliver Jackson and Duffy Jackson; bassists George Duvivier and Arvell Shaw, and other greats.

(please go to the www.johncolanni.com Reviews/News page for Lionel Hampton's personal account of his association with John Colianni)



Thelonius Monk Piano Competition



Not too long after the Hampton gig, John entered and won a cash prize in the 1st annual Thelonius Monk Piano Competition in 1987.



With Mel Torme'



In the 1980s, John played a variety of gigs, including a stint with the New Orleans-inspired band of movie director/clarinetist Woody Allen. Allen's band played steadily at Michael's Pub in NY, and it was here that John came to the attention of Mel Torme', who was appearing concurrently at the same club. Hearing one of JC's recordings through the venues' system between sets, Mel promptly hired John as his pianist (without an audition). John worked for Torme' for 4 and 1/2 exciting years, from early 1991 to mid 1995, touring and recording 6 albums.



Les Paul



Les Paul offered the piano spot in his group to John in August of 2003. Les has not used a pianist in his combo since the '50s, and, in looking for suitable candidates, sought the advice of players like guitarist Bucky Pizzarelli, who recommended Colianni. As of this writing, John is still with Les Paul's group. In Les Paul's recent autobiography, "Les Paul: In His Own Words" (Cochran), Les writes an appreciative description of John's style of playing and musical contributions to the re-vamped Les Paul Quartet.


Event submitted by Eventful.com on behalf of clmgarage.

Added by clmgarage on July 23, 2007

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