I Can Make a Mess Like Nobody’s Business + Into It Over It + Mansions June 3, 2011

I Can Make a Mess Like Nobody's Business will be headlining a three week "Pick What You Pay" tour this spring. Fans will be able to choose their own ticket price for the shows, which is a new concept that complements Ace Enders' innovative and unprecedented plans to involve supporters in every step of his project. The tour will be in support of the band's forthcoming album to be released in May.



With nearly half a million album sales to date and over a year since his last proper album, anticipation is at a fever pitch for Ace Enders' upcoming disc When I Hit the Ground (Drive-Thru Records/Vagrant). The project comes on the heels of being the famed front man for alt-rock innovators The Early November, followed by 2008's individual online offering The Secret Wars and spearheading a cover The Verve's "Bittersweet Symphony" for VH1's "Save the Music" foundation (backed by members of Blink 182, Chiodos, The Starting Line, The Rocket Summer and many more).

"My outlook on music right now is I'm really psyched," offers Enders of the remarkable streak that's led him to this second solo endeavor (and first split available via both digital and physical contexts). "I've literally watched the whole indie/alternative scene change right in front of my eyes from the time I first started until now. When you turn on the radio, I hear everybody I either listened to on the underground growing up or people I've played with. And I've also found our fans growing up right alongside of us, which really helps us all stay on the same page."

Outside of connecting with his current crowd, When I Hit the Ground is indeed an album destined to expand the ambitious entertainers' audience. Not only did Enders leave every last drop of energy on the creative canvas, but he explodes with gut-wrenching honesty and unparallel relatibility, wrapped around contagious choruses and chord structures.

"I think old school bands like Jets to Brazil influenced me to have integrity in what I'm doing and to play music for the right reasons," notices Enders, simultane-ously citing that act and Jimmy Eat World as stylistic muses. "They didn't sell out and it's not about looking cool, making money or trying to capitalize on some rock star image. Nowadays you have these young bands who get into music simply so they can party, and I'm not knocking partying, but it's not what I'm based around. It goes a lot deeper than the surface stuff."
http://www.aceenders.com/

Official Website: http://www.jamminjava.com/