100 University St
Seattle, Washington 98101

Freeing the Figure explores the purely formal attributes of Jacob Lawrence's influential work, rather than the social and historical themes for which he is so well known. Lawrence's free and non-anatomical approach to the human figure is shown in context with the work of his predecessors and peers who also used the figure as "fodder" for dynamic painterly compositions, revealing how the human figure has been a laboratory for artistic experimentation for decades.

Added by Upcoming Robot on March 8, 2010

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