Elizabeth King: the Sizes of Things in the Mind's Eye March 21, 2009

Elizabeth King often combines her meticulously wrought figurative sculptures with stop-frame film animation in installations that blur the boundary between actual and virtual space. Intimate in scale and distinguished by a level of craft that solicits close viewing, this work reflects her interests in early clockwork automata, the history of the mannequin and the puppet, and literature's host of legends in which the inanimate or artificial figure comes to life.