Demolition Boy/Working the Line May 1, 2011

Demolition Boy debates the usefulness of a muse and dance as a source of self-disgust. It seeks guidance from Gilbert & George but displays an identification with Tyra Banks. It attempts to reconcile butch pansies, dapper gay girls, and grant adjudication panels. It subjects the artist to judgment and failure. Working the Line is a choreography evoked by buildings, beasts, and the act of drawing.