1630 Powell St
San Francisco, California 94133

Carolina Lugo’s & Carolé Acuña’s Brisas de España Ballet Flamenco
Date: Sunday, January 9th & 23rd, 2011 - 6:15 & 7:15 pm


Peña's well worn hardwood floors resonate with the pulsating sounds of footwork, song, castanets, syncopated hand clapping and guitar. Carolina Lugo and her daughter Carolé Acuña and their company of Flamenco musicians and dancers paint a visual canvas in movement through dance for a very special evening of entertainment. If you have not seen this group in one of it's many Concert Hall performances, this is an opportunity to experience their high energy and passion for their art that defines a new dimension in Flamenco and Spanish dance traditions.
Location: Peña Pachamama Restaurant, 1630 Powell Street, (Union & Green) San Francisco.

Tickets :Call for reservations 415-646-0018 Or buy tickets online: http://www.brownpapertickets.com/event/118205 - 24/7 Ticket Hotline: 1-800-838-3006.



This project is sponsored in part by Grants from the Zellerbach Family Foundation & W&F Hewlett Foundation

Contact Carolina Lugo for additional information about classes, workshops, and bookings at 925-939-7850 /[email protected] or visit her website at www.carolinalugo.com

For additional information please contact Manager Richard Tonkin 510-504-4448

Carolina Lugo Artistic Director International Artist Brisas de España Ballet Flamenco & Dance Center www.carolinalugo.com 925-939-7850

Official Website: http://www.brownpapertickets.com/event/118205

Added by Richard Tonkin 3945 on January 3, 2011

Comments

Richard Tonkin 3945

Brisas sizzles with hot moves and music"-Contra Costa Times

"The Flamenco legacy of Lola Montes lives on in the pure dance poetry of Carolina Lugo's Brisas de España. The dazzling colors and passionate energy of this troupe will leave you breathless."~ Diablo Magazine

“Lugo is a woman with complicated memories and sorrows… When she dances, she conveys depths of melancholy, devilishness or joy through the apt placement of her torso. The tilt of her ribs, for example, is just right to create that essential image of dignity, slight arrogance and emotional daring without which Flamenco is just another collection of steps and tunes. As a musician she’s equally sophisticated, inhabiting the music in the middle of every beat, with a command that is neither haughty nor proud, but self-assured, at ease.She dances the way some French cook—with what appears to be a graceful inevitability discovered on the spot. ~ Ann Murphy, Dance Critic for Dance View West